Differences
This shows you the differences between two versions of the page.
Both sides previous revision Previous revision Next revision | Previous revision | ||
advanced_iemt_curriculum [2023/02/24 19:31] – andrewtaustin | advanced_iemt_curriculum [2023/02/27 17:41] (current) – [Module 3.5. The Great Big What If Pattern] andrewtaustin | ||
---|---|---|---|
Line 54: | Line 54: | ||
=====Module 2. The Three Pillars===== | =====Module 2. The Three Pillars===== | ||
+ | |||
+ | **Themes:** //three pillars model, | ||
Review The Three Pillars model, emphasizing the time orientation of each of the emotions on the chart. | Review The Three Pillars model, emphasizing the time orientation of each of the emotions on the chart. | ||
Line 65: | Line 67: | ||
- speed of exit (some emotions end quickly, whilst others subside over comparatively long periods of time) | - speed of exit (some emotions end quickly, whilst others subside over comparatively long periods of time) | ||
- | Next review how some of the emotions on the chart may appear as a presenting problem, but in fact are the client' | + | {{ : |
+ | |||
+ | Next, review how some of the emotions on the chart may appear as a presenting problem, but in fact are the client' | ||
=====Module 2.5. Modelled States==== | =====Module 2.5. Modelled States==== | ||
+ | |||
+ | **Themes:** //innate emotions versus learned emotions, empathic learning of problematic states and emotions// | ||
In some instances, the K-pattern is less successful than might otherwise be anticipated, | In some instances, the K-pattern is less successful than might otherwise be anticipated, | ||
Line 74: | Line 80: | ||
The K-Pattern is used with a pivot that asks, " | The K-Pattern is used with a pivot that asks, " | ||
- | Note: This can also be used on anthropomorphised states, such as, “The depression makes me angry” so that it would become: | + | **Note**: This can also be used on anthropomorphised states, such as, “The depression makes me angry” so that it would become: |
- | - And how strong is this feeling of angry? | + | * And how strong is this feeling of angry? |
- | - And how familiar is this feeling of angry? | + | |
- | - And when is the first time you can remember THE DEPRESSION feeling this feeling of angry… etc? | + | |
- | This can be referred to as an additional exercise when exploring Module 7: "The Influence of Lucas Derks work." | + | This can be referred to as an additional exercise when exploring |
+ | |||
+ | ====Further Study==== | ||
+ | |||
+ | The works of [[the_philosophy_of_alfred_adler|Alfred Adler]] | ||
+ | |||
+ | The role of [[https:// | ||
=====Module 3. Visual Fields===== | =====Module 3. Visual Fields===== | ||
Line 90: | Line 102: | ||
Explain "The Octrants" | Explain "The Octrants" | ||
- | Exercise: in pairs or small groups participants identify in which octrant/s an experience or memory is located. | + | **Exercise:** in pairs or small groups participants identify in which octrant/s an experience or memory is located. |
Optionally, depending on the experience level of the group, the group can be introduced to: [[biased_competition_theory|Biased Competition Theory]] | Optionally, depending on the experience level of the group, the group can be introduced to: [[biased_competition_theory|Biased Competition Theory]] | ||
{{:: | {{:: | ||
+ | |||
+ | ====Further Reading==== | ||
+ | |||
+ | **Mapping The Mind** by Rita Carter (Hardback Edition) | ||
+ | |||
+ | **Phantoms in the Brain: Probing the Mysteries of the Human Mind** by V S Ramachandran & Sandra Blakeslee | ||
+ | |||
+ | **The Emotional Brain: The Mysterious Underpinnings of Emotional Life** by Joseph Ledoux | ||
=====Module 3.5. The Great Big What If Pattern===== | =====Module 3.5. The Great Big What If Pattern===== | ||
+ | |||
+ | **Themes:** //negative core states, chronicity// | ||
**Part 1.** | **Part 1.** | ||
- | Review the What If? Patern | + | Review the "What If" Pattern |
**Part 2** | **Part 2** | ||
- | The “what if” exercise and structure of belief* (If A, then B, which //means// C) | + | The “What if” exercise and structure of belief* (If A, then B, which //means// C) |
*This looks like this: | *This looks like this: | ||
Line 114: | Line 136: | ||
Then they are asked, “….and what does that mean about you?” | Then they are asked, “….and what does that mean about you?” | ||
- | i.e., “So, if this goes wrong, and you get embarrassed then what does that MEAN?” (people’s default is to go into cause and effect - i.e. if this, then that. Caution against this, suggest this is more to do with something at an identity level. | + | i.e., “So, if this goes wrong, and you get embarrassed then what does that MEAN?” (people’s default is to go into cause and effect - i.e. if this, then that. Caution against this, it helps to suggest this is more to do with something at an identity level. |
For this exercise we are looking at meaning, i.e. “if this goes wrong, and then I get embarrassed, | For this exercise we are looking at meaning, i.e. “if this goes wrong, and then I get embarrassed, | ||
Line 121: | Line 143: | ||
* **Lack of value**: " | * **Lack of value**: " | ||
- | * **Lack of authenticity**: | + | * **Lack of authenticity**: |
* **Lack of ability**: " | * **Lack of ability**: " | ||
- | Group discussion and feedback | + | Group discussion and feedback |
- | =====Module 4. PTSD: The 15 Trauma Positions===== | + | =====Module 4. PTSD: The 15 Trauma |
+ | |||
+ | **Themes:** //PTSD, perceptual positions// | ||
After an explanation of the 15 positions, the group examines a past negative experience from the first 8-10 positions to gain familiarity with them. | After an explanation of the 15 positions, the group examines a past negative experience from the first 8-10 positions to gain familiarity with them. | ||
Line 141: | Line 165: | ||
* I encourage people to remember to ”overwhelm the client with eye contact” as much as possible but acknowledge that this isn’t always so easy in an exercise when they still need to refer to their notes. | * I encourage people to remember to ”overwhelm the client with eye contact” as much as possible but acknowledge that this isn’t always so easy in an exercise when they still need to refer to their notes. | ||
+ | ====Further Study==== | ||
- | =====Optional Module: Game Theory===== | + | It is recommended that trainees are directed to learn more by studying Connirae Andreas' |
+ | |||
+ | See: [[https:// | ||
+ | |||
+ | =====Optional Module: Game Theory & System | ||
The Three Stage Abreaction follows the theme of zero-sum game reasoning. “//I can only feel better when you feel worse//” or “//I can only change this way, when you change that way//” - i.e. there is a transaction of emotion and predictability, | The Three Stage Abreaction follows the theme of zero-sum game reasoning. “//I can only feel better when you feel worse//” or “//I can only change this way, when you change that way//” - i.e. there is a transaction of emotion and predictability, | ||
Line 150: | Line 179: | ||
There may not be a specific exercise to teach this principle, but overall the conveyance of this principle should be central to the aim of advanced practitioner training. | There may not be a specific exercise to teach this principle, but overall the conveyance of this principle should be central to the aim of advanced practitioner training. | ||
+ | Systems theory introduces open and closed systems. | ||
+ | |||
+ | ====Further Reading==== | ||
+ | |||
+ | **Introducing Game Theory: A Graphic Guide** (Graphic Guides). Icon Books Ltd. Osborne, M. J., & Kreps, D. M. (2017). | ||
+ | |||
+ | **The Art of Systems Thinking: Essential Skills for Creativity and Problem Solving**, by Joseph O’Connor and Ian McDermott | ||
=====Module 5. The Lawley-Tompkins Coin Exercise===== | =====Module 5. The Lawley-Tompkins Coin Exercise===== | ||
+ | |||
+ | **Themes:** //family dynamics, family constellations theory of [[the_philosophy_of_alfred_adler|Alfred Adler]]// | ||
The coins exercise as developed by James Lawley and Penny Tompkins. For some of the more difficult family interactions revealed by the exercise, these emotional responses can be addressed with the standard K-Pattern protocol. | The coins exercise as developed by James Lawley and Penny Tompkins. For some of the more difficult family interactions revealed by the exercise, these emotional responses can be addressed with the standard K-Pattern protocol. | ||
Line 166: | Line 204: | ||
Trainees are to be cautioned against accidentally disrespecting another' | Trainees are to be cautioned against accidentally disrespecting another' | ||
+ | |||
+ | ====Further Reading==== | ||
+ | |||
+ | **Metaphors in Mind: Transformation through Symbolic Modelling (2000)** - This book introduces Symbolic Modelling, a technique for exploring the client' | ||
+ | |||
+ | **Insights in Space: How to Use Clean Space to Solve Problems, Generate Ideas and Spark Creativity (2013)** - In this book, Lawley and Tompkins introduce Clean Space, a technique for exploring and working with a client' | ||
=====Module 6. Identity Wants and Needs Analysis===== | =====Module 6. Identity Wants and Needs Analysis===== | ||
**Part 1. Primary Pronouns of I, Me, Self, You.** | **Part 1. Primary Pronouns of I, Me, Self, You.** | ||
- | In addition to the standard three elicitation questions, the practitioner asks, "And what does X want?" | + | In addition to the standard three elicitation questions, the practitioner asks, |
+ | |||
+ | * "And what does X lack?" | ||
+ | * "And what does X want?" | ||
+ | * "And what does X need?" | ||
+ | |||
+ | **Note**: | ||
**Part 2. Secondary Identity Markers** (optional) | **Part 2. Secondary Identity Markers** (optional) | ||
- | The same additional questions can be asked for she, him, they, etc. | + | The same additional questions can be asked for she, him, they, etc., and later on, also for personifications and objectifications. |
=====Module 7: The Influence of Lucas Derks' Work===== | =====Module 7: The Influence of Lucas Derks' Work===== | ||
- | - teach the anthropomorphication | + | **Themes:** // |
- | - the same can be done for objectification (nominalisation) | + | Teach the anthropomorphication |
- | (anthropomorphication has a life of its own, objectification needs a wheelbarrow | + | {{youtube> |
- | You might want to familiarise yourself with Lucas Derks’ work on social panorama (www.identitypanorama.com) - you can do a simple elicitation of a family constellation (Where’s father, where’s mother, etc) and then apply the same identity questions to each of them. | ||
- | - Remind me, where is mother? | + | The same can be done for objectification |
- | Expect LOTS of tears and emotion from some people. | + | Summary: anthropomorphication has a life of its own, objectification needs a wheelbarrow. |
- | For a complete | + | You might want to familiarise yourself with Lucas Derks’ work on social |
- | For example, if i were to do a constellation I’d have to include | + | * "And where is Mother? (ma, mum, mummy or whatever - there may of course be multiple aspects of the same person, i.e. there may be a “Father”, “Dad” and “Daddy”) |
+ | * "And how old is Mother?" | ||
+ | * "And what is happening around Mother?" | ||
- | Depending on the group, you may also consider exploring religious or political panoramas. For example, there are multiple versions | + | Expect LOTS of tears and emotion from some people. |
- | + | ||
- | . | + | |
- | . | + | |
- | . | + | |
- | . | + | |
- | . | + | |
- | . | + | |
- | . | + | |
- | . | + | |
- | . | + | |
- | . | + | |
- | . | + | |
- | . | + | |
- | . | + | |
- | . | + | |
- | + | ||
- | For levity, i have other exercises that are useful to change the state or shift tempo, these include: | + | |
- | - the African cups game (takes about 20 mins) | + | For a complete panorama, you also include |
- | - “How to Eject a Client” exercise (it’s | + | |
- | - Boxes games (can fill a afternoon with this easily) | + | |
+ | For example,// if I [Andrew T. Austin] were to do a constellation I’d have to include “The Navy” (both parents were in the Navy), “The Stork” and the " | ||
- | | + | Depending on the group, you may also consider exploring religious or political panoramas. For example, there are multiple versions |
+ | **Optional**: | ||
+ | * "And how strong is this feeling of angry?" | ||
+ | * "And how familiar is this feeling of angry? " | ||
+ | * "And when is the first time you can remember THE DEPRESSION feeling this feeling of angry?" | ||
+ | * Etc | ||
- | - the coins exercise (as demonstrated on the identitypanorama.com website) - you will need to go prepared with a big bag of coins, or buttons or whatever. | + | ====Further Reading==== |
+ | **Social Panoramas: Changing the Unconscious Landscape with NLP and Psychotherapy (2005)** - This book introduces the concept of social panorama, a technique for understanding and influencing the unconscious mental images that people have of themselves and others. | ||
- | The David Grove pronoun exercise | + | =====Module 8. Miscellaneous===== |
- | How does my “I” connect with your “I”, your “Me”, your “self” and your “you” | + | These exercises/ |
- | Same for me, self and you, and then vice versa. | + | |
- | Grove got people to draw on a flip chart an outline of a body, mark in the location of the pronouns, they would then demonstrate in the body, or with a wavy line or however they conceived | + | * For larger groups and longer courses, for levity, the " |
- | “No one, nothing, connects with me, but I try to reach out to everyone else” | + | |
- | Grove spent 2 days doing this one principle alone. | + | * “How to Eject a Client” exercise (it’s a quickie, people enjoy this one and it often opens up for discussion about difficult clients and the traditional suicidal client question). This is a review of how to end a session where the client needs to be removed for any reason, and the trainees practice the gentle removal of someone from a session. You may want to review how to handle the problems that will arise afterward, i.e. whether to refund or not refund, handling potential complaints, etc. |
+ | * Boxes games (can fill an afternoon with this easily) | ||
- | Additional suggestions: | + | * Introduction of 2 // |
- | Dream work - take aspects or feature | + | * Dream work - take aspects or features |
- | Pain, tinnitus, physical illness - both as emotional experiences and as identities. | + | * Pain, tinnitus, physical illness - both as emotional experiences and as identities. |
+ | * Phobias. See the graphic below. | ||
+ | {{ : | ||