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advanced_iemt_curriculum [2023/02/24 19:23] – andrewtaustin | advanced_iemt_curriculum [2023/02/27 17:41] (current) – [Module 3.5. The Great Big What If Pattern] andrewtaustin | ||
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=====Module 2. The Three Pillars===== | =====Module 2. The Three Pillars===== | ||
+ | |||
+ | **Themes:** //three pillars model, | ||
Review The Three Pillars model, emphasizing the time orientation of each of the emotions on the chart. | Review The Three Pillars model, emphasizing the time orientation of each of the emotions on the chart. | ||
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- speed of exit (some emotions end quickly, whilst others subside over comparatively long periods of time) | - speed of exit (some emotions end quickly, whilst others subside over comparatively long periods of time) | ||
- | Next review how some of the emotions on the chart may appear as a presenting problem, but in fact are the client' | + | {{ : |
+ | |||
+ | Next, review how some of the emotions on the chart may appear as a presenting problem, but in fact are the client' | ||
=====Module 2.5. Modelled States==== | =====Module 2.5. Modelled States==== | ||
+ | |||
+ | **Themes:** //innate emotions versus learned emotions, empathic learning of problematic states and emotions// | ||
In some instances, the K-pattern is less successful than might otherwise be anticipated, | In some instances, the K-pattern is less successful than might otherwise be anticipated, | ||
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The K-Pattern is used with a pivot that asks, " | The K-Pattern is used with a pivot that asks, " | ||
- | Note: This can also be used on anthropomorphised states, such as, “The depression makes me angry” so that it would become: | + | **Note**: This can also be used on anthropomorphised states, such as, “The depression makes me angry” so that it would become: |
- | - And how strong is this feeling of angry? | + | * And how strong is this feeling of angry? |
- | - And how familiar is this feeling of angry? | + | |
- | - And when is the first time you can remember THE DEPRESSION feeling this feeling of angry… etc? | + | |
- | This can be referred to as an additional exercise when exploring Module 7: "The Influence of Lucas Derks work." | + | This can be referred to as an additional exercise when exploring |
+ | |||
+ | ====Further Study==== | ||
+ | |||
+ | The works of [[the_philosophy_of_alfred_adler|Alfred Adler]] | ||
+ | |||
+ | The role of [[https:// | ||
=====Module 3. Visual Fields===== | =====Module 3. Visual Fields===== | ||
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Explain "The Octrants" | Explain "The Octrants" | ||
- | Exercise: in pairs or small groups participants identify in which octrant/s an experience or memory is located. | + | **Exercise:** in pairs or small groups participants identify in which octrant/s an experience or memory is located. |
Optionally, depending on the experience level of the group, the group can be introduced to: [[biased_competition_theory|Biased Competition Theory]] | Optionally, depending on the experience level of the group, the group can be introduced to: [[biased_competition_theory|Biased Competition Theory]] | ||
{{:: | {{:: | ||
+ | |||
+ | ====Further Reading==== | ||
+ | |||
+ | **Mapping The Mind** by Rita Carter (Hardback Edition) | ||
+ | |||
+ | **Phantoms in the Brain: Probing the Mysteries of the Human Mind** by V S Ramachandran & Sandra Blakeslee | ||
+ | |||
+ | **The Emotional Brain: The Mysterious Underpinnings of Emotional Life** by Joseph Ledoux | ||
=====Module 3.5. The Great Big What If Pattern===== | =====Module 3.5. The Great Big What If Pattern===== | ||
+ | |||
+ | **Themes:** //negative core states, chronicity// | ||
**Part 1.** | **Part 1.** | ||
- | Review the What If? Patern | + | Review the "What If" Pattern |
**Part 2** | **Part 2** | ||
- | The “what if” exercise and structure of belief* (If A, then B, which //means// C) | + | The “What if” exercise and structure of belief* (If A, then B, which //means// C) |
*This looks like this: | *This looks like this: | ||
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Then they are asked, “….and what does that mean about you?” | Then they are asked, “….and what does that mean about you?” | ||
- | i.e., “So, if this goes wrong, and you get embarrassed then what does that MEAN?” (people’s default is to go into cause and effect - i.e. if this, then that. Caution against this, suggest this is more to do with something at an identity level. | + | i.e., “So, if this goes wrong, and you get embarrassed then what does that MEAN?” (people’s default is to go into cause and effect - i.e. if this, then that. Caution against this, it helps to suggest this is more to do with something at an identity level. |
For this exercise we are looking at meaning, i.e. “if this goes wrong, and then I get embarrassed, | For this exercise we are looking at meaning, i.e. “if this goes wrong, and then I get embarrassed, | ||
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* **Lack of value**: " | * **Lack of value**: " | ||
- | * **Lack of authenticity**: | + | * **Lack of authenticity**: |
* **Lack of ability**: " | * **Lack of ability**: " | ||
- | Group discussion and feedback | + | Group discussion and feedback |
- | =====Module 4. PTSD: The 15 Trauma Positions===== | + | =====Module 4. PTSD: The 15 Trauma |
+ | |||
+ | **Themes:** //PTSD, perceptual positions// | ||
After an explanation of the 15 positions, the group examines a past negative experience from the first 8-10 positions to gain familiarity with them. | After an explanation of the 15 positions, the group examines a past negative experience from the first 8-10 positions to gain familiarity with them. | ||
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* I encourage people to remember to ”overwhelm the client with eye contact” as much as possible but acknowledge that this isn’t always so easy in an exercise when they still need to refer to their notes. | * I encourage people to remember to ”overwhelm the client with eye contact” as much as possible but acknowledge that this isn’t always so easy in an exercise when they still need to refer to their notes. | ||
+ | ====Further Study==== | ||
- | =====Optional Module: Game Theory===== | + | It is recommended that trainees are directed to learn more by studying Connirae Andreas' |
+ | |||
+ | See: [[https:// | ||
+ | |||
+ | =====Optional Module: Game Theory & System | ||
The Three Stage Abreaction follows the theme of zero-sum game reasoning. “//I can only feel better when you feel worse//” or “//I can only change this way, when you change that way//” - i.e. there is a transaction of emotion and predictability, | The Three Stage Abreaction follows the theme of zero-sum game reasoning. “//I can only feel better when you feel worse//” or “//I can only change this way, when you change that way//” - i.e. there is a transaction of emotion and predictability, | ||
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There may not be a specific exercise to teach this principle, but overall the conveyance of this principle should be central to the aim of advanced practitioner training. | There may not be a specific exercise to teach this principle, but overall the conveyance of this principle should be central to the aim of advanced practitioner training. | ||
- | =====Module 5. The Lawley-Tompkins Coin Exercise===== | + | Systems theory introduces open and closed systems. |
- | The coins exercise as developed by James Lawley and Penny Tompkins. For some of the more difficult family interactions revealed by the exercise, these emotional responses can be addressed with the standard K-Pattern protocol. | + | ====Further Reading==== |
- | Trainees are to be cautioned against accidentally disrespecting another' | + | **Introducing Game Theory: A Graphic Guide** (Graphic Guides). Icon Books Ltd. Osborne, M. J., & Kreps, D. M. (2017). |
- | =====Module | + | **The Art of Systems Thinking: Essential Skills for Creativity and Problem Solving**, by Joseph O’Connor and Ian McDermott |
+ | =====Module | ||
- | **Part 1. Primary Pronouns of I, Me, Self, You.** | + | **Themes:** //family dynamics, family constellations theory of [[the_philosophy_of_alfred_adler|Alfred Adler]]// |
- | In addition to the standard three elicitation questions, the practitioner asks, "And what does X want?" and "And what does X need?" | + | |
- | **Part 2. Secondary Identity Markers** (optional) | + | The coins exercise as developed by James Lawley and Penny Tompkins. For some of the more difficult family interactions revealed by the exercise, these emotional responses |
- | The same additional questions | + | |
- | =====Module 7: The Influence | + | There are lots of permutations on the coin exercise, for example, |
+ | - client arrange the coins to represent your family | ||
+ | - client explains why those coins, why those locations | ||
+ | The practitioner then moves coins in a respectful manner to test for an emotional reaction. | ||
+ | Leaving the original coin display intact, the practitioner gives a second collection of coins to the client, who then arranges the coins to how they would like them to be (which may or may not be different). | ||
+ | * client then explains why that configuration etc. | ||
+ | * practitioner then moves this second coin display bit by bit into the original configuration, | ||
+ | Trainees are to be cautioned against accidentally disrespecting another' | ||
- | For levity, i have other exercises that are useful to change the state or shift tempo, these include: | + | ====Further Reading==== |
- | - the African cups game (takes about 20 mins) | + | **Metaphors in Mind: Transformation through Symbolic Modelling |
- | - “How to Eject a Client” exercise (it’s a quickie and people LOVE this one and it often opens up for discussion about difficult clients and the traditional suicidal | + | |
- | - Boxes games (can fill a afternoon with this easily) | + | |
+ | **Insights in Space: How to Use Clean Space to Solve Problems, Generate Ideas and Spark Creativity (2013)** - In this book, Lawley and Tompkins introduce Clean Space, a technique for exploring and working with a client' | ||
- | I also do a number of demos too, which i tend not to do on the practitioner level. | + | =====Module 6. Identity Wants and Needs Analysis===== |
- | Other things that could be included: | + | **Part 1. Primary Pronouns of I, Me, Self, You.** |
+ | In addition to the standard three elicitation questions, the practitioner asks, | ||
- | - revision of the 5 patterns of chronicity | + | * "And what does X lack?" |
- | - introduction of 2 sub-patterns of chronicity: reactivity and passivity (in place of proactivity) and the either/or question trap (where the answer is neither - this is where the practitioner just says “yes”) | + | * "And what does X want?" |
+ | * "And what does X need?" | ||
- | - the “what if” exercise and structure of belief* (If A, then B, which means C) | + | **Note**: No eye movements need to be performed for this exercise. |
- | *This looks like this: | + | **Part 2. Secondary Identity Markers** (optional) |
+ | The same additional questions can be asked for she, him, they, etc., and later on, also for personifications and objectifications. | ||
- | - take 3-5 anxieties or concerns that manifest as “what if” questions, even if they are just spoken internally. | + | =====Module 7: The Influence of Lucas Derks' Work===== |
- | + | ||
- | i.e. “What if this goes wrong”, “what if i don’t remember what to do”, “What if no one likes me” | + | |
- | + | ||
- | For each “what if”, they are asked, “then what“ - “If i don’t remember what to do THEN I will get embarrassed. | + | |
- | + | ||
- | Then they are asked, “….and what what does that mean…? | + | |
- | + | ||
- | i.e., “So, if this goes wrong, and you get embarrassed then what does that MEAN? | + | |
- | For this exercise we are looking at meaning, i.e. “if this goes wrong, and then I get embarrassed, | + | **Themes:** // |
- | Please note, that in the practitioner manual, the examples given there are incorrect. | + | Teach the anthropomorphication of symptoms and diagnosis, “The DEPRESSION makes me unhappy”, “The ANOREXIA is ruining my relationships”, |
- | If you elicit enough “what ifs”, the value C, i.e. the meaning will usually be very similar to all questions, even if they are contextually different. | + | {{youtube> |
- | I tend to go around the room to everyone and ask them for their C values. | ||
- | Advanced IEMT course - suggestions | + | The same can be done for objectification (nominalisation) of symptoms and behaviour such as, “I have low self-esteem”, |
- | Developing on the non-zero sum theme, the idea of the exercises is to teach the trainees two main principles. | + | Summary: |
- | + | ||
- | - Pronoun elicitation exercises. | + | |
- | + | ||
- | - teach the anthropomorphication of symptoms and diagnosis, “The DEPRESSION makes me unhappy”, “The ANOREXIA is ruining my relationships”, | + | |
- | + | ||
- | - the same can be done for objectification (nominalisation) of symptoms and behaviour such as, “I have low self esteem”, “I have depression”, | + | |
- | + | ||
- | (anthropomorphication has a life of its own, objectification needs a wheel barrow) | + | |
You might want to familiarise yourself with Lucas Derks’ work on social panorama (www.identitypanorama.com) - you can do a simple elicitation of a family constellation (Where’s father, where’s mother, etc) and then apply the same identity questions to each of them. | You might want to familiarise yourself with Lucas Derks’ work on social panorama (www.identitypanorama.com) - you can do a simple elicitation of a family constellation (Where’s father, where’s mother, etc) and then apply the same identity questions to each of them. | ||
- | - Remind me, where is mother? (ma, mum, mummy or whatever - there may of course be multiple aspects of the same person, i.e. there may be a “Father”, | + | * " |
- | - And how old is mother? | + | * "And how old is Mother?" |
- | - and what is happening around | + | * " |
Expect LOTS of tears and emotion from some people. | Expect LOTS of tears and emotion from some people. | ||
- | For a complete panorama you also include the deceased, important pets, family ghosts, non-animate family members, dependent mystical concepts such as santa claus/jesus/virgin mary or whatever is an important feature in their family constellation. | + | For a complete panorama, you also include the deceased, important pets, family ghosts, non-animate family members, |
- | For example, if i were to do a constellation I’d have to include “The Navy”, “The Stork”, “Torro” (a dog from when i was 0-4 and against whom ever subsequent dog was compared by everyone else) and “Diggles” (a guy i never met, do not know anything about, but was an ever present force in my childhood) | + | For example,// if I [Andrew T. Austin] |
- | Depending on the group, you may also consider exploring religious or political panoramas. | + | Depending on the group, you may also consider exploring religious or political panoramas. For example, there are multiple versions of God - “The Lord”, “The Holy Spirit”, “God made flesh” there is the vengeful God, the forgiving God, God the creator, and so on. For Jesus, there is the baby Jesus, the dead Jesus, the dying Jesus, the resurrected Jesus, and so on. |
- | - the coins exercise (as demonstrated | + | **Optional**: |
- | There are lots of permutations on the coin exercise, for example, | + | * "And how strong is this feeling |
- | + | * "And how familiar is this feeling of angry? " | |
- | - client arrange | + | * "And when is the first time you can remember THE DEPRESSION feeling this feeling of angry?" |
- | - client explains why those coins, why those locations | + | * Etc |
- | Operator then moves coins in a respectful manner to test for emotional reaction. | + | ====Further Reading==== |
- | Leaving | + | **Social Panoramas: Changing |
- | -client then explains why that configuration etc. | + | |
- | - operator then moves this second coin display bit by bit into the original configuration, measuring | + | |
- | The David Grove pronoun exercise | + | =====Module 8. Miscellaneous===== |
- | How does my “I” connect with your “I”, your “Me”, your “self” and your “you” | + | These exercises/ |
- | Same for me, self and you, and then vice versa. | + | |
- | Grove got people to draw on a flip chart an outline of a body, mark in the location of the pronouns, they would then demonstrate in the body, or with a wavy line or however they conceived | + | * For larger groups and longer courses, for levity, the " |
- | “No one, nothing, connects with me, but I try to reach out to everyone else” | + | |
- | Grove spent 2 days doing this one principle alone. | + | * “How to Eject a Client” exercise (it’s a quickie, people enjoy this one and it often opens up for discussion about difficult clients and the traditional suicidal client question). This is a review of how to end a session where the client needs to be removed for any reason, and the trainees practice the gentle removal of someone from a session. You may want to review how to handle the problems that will arise afterward, i.e. whether to refund or not refund, handling potential complaints, etc. |
+ | * Boxes games (can fill an afternoon with this easily) | ||
- | Additional suggestions: | + | * Introduction of 2 // |
- | Dream work - take aspects or feature | + | * Dream work - take aspects or features |
- | Pain, tinnitus, physical illness - both as emotional experiences and as identities. | + | * Pain, tinnitus, physical illness - both as emotional experiences and as identities. |
+ | * Phobias. See the graphic below. | ||
+ | {{ : | ||